Seconded By: Frank Meo,
“Coastal: a slow journey along the coastline of Australia & New Zealand” offers a profound exploration of the shorelines (and rivers) of Australia and New Zealand, capturing the intricate relationship between land and sea through the lenses of photography, moving image, and mixed media practices. This project embarks on a visual and introspective journey, revealing the diverse coastal landscapes as places of deep interaction and connectivity. Through a deliberate and thoughtful approach, “Coastal” seeks to document the multifaceted interplay between land and sea, highlighting the sublime beauty and ecological complexity of these regions. Each image and narrative constructed from both shore and sea perspectives unveils the environmental and historical layers that define these landscapes, inviting viewers to contemplate their significance. Intertwining traditional artistic methods with modern digital tools, the project draws on techniques developed in Kozka’s previous works, such as the Shanshui series. By harnessing digital technology, the project expands our perception and interaction with the natural world, offering new insights and perspectives.
Beyond its visual exploration, “Coastal” also delves into broader themes such as the human condition, sustainability, and the awe-inspiring force of the natural world. It serves as a testament to the process of artistic creation and digital mediation, reflecting on our relationship with nature and the challenges and opportunities it presents.
Waiau River No.2
“Waiau River No.2” by Bronek Kozka: An evocative exploration of the Waiau River’s ethereal beauty, blending sensory impressions with traditional Chinese shanshui painting techniques. Through the seamless integration of AI, this work captures the river’s serene flow and mystical landscape, inviting viewers into a tranquil, dreamlike realm.
Spiky Beach No. 2.1
“Spiky Beach No.2.1” by Bronek Kozka: This piece captures the tumultuous beauty of Spiky Beach in Tasmania, part of Kozka’s ongoing series and research. The work explores the intersection of digital technology and natural landscapes, aiming to enhance our connection to nature through immersive visual experiences. Kozka’s work continues to challenge and expand the boundaries of photographic art by blending traditional techniques with modern digital innovations
At the Beach No.1
“At the Beach No.1” by Bronek Kozka: Captured along the coast of Tasmania, this artwork encapsulates the sublime power, awe, and beauty of the natural landscape. Through the interplay of light and shadow, Kozka portrays the vastness and mystery of the ocean, reflecting his ongoing exploration of digital technology’s role in enhancing our connection to nature.
Yarra River No. 2.1
“Yarra River No.2.1” by Bronek Kozka: This artwork pays homage to the sacred space of the Yarra River, deeply significant to the indigenous people of Melbourne. Acknowledging the traditional custodians of the land, this piece reflects the artist’s respect and connection to the area where his studio resides. The abstract nature of this image aims to capture the essence and feel of this culturally rich and spiritually profound place, blending Kozka’s signature style of intertwining the tangible and intangible elements of his surroundings
Bronte, No.1.1
“Bronte No. 1.1” by Bronek Kozka: This artwork captures the raw power and awe of the ocean at Bronte, Sydney. Contrary to the idyllic images of rolling waves, blue skies, and surfers that are often associated with this coastline, Kozka focuses on the ocean’s formidable force and its ability to shape and erode the landscape. This piece is part of his broader exploration into the sublime aspects of nature, reflecting the dynamic and ever-changing relationship between the sea and the coast
Falmouth No.1.1
“Falmouth No. 1.1” by Bronek Kozka: This artwork depicts the rugged and mysterious coastline of Tasmania, an area rich with history and exploration by artists, explorers, and cartographers, not to mention the deep cultural significance to the indigenous people of the land. Kozka captures the desolate and powerful nature of this landscape, evoking the feeling of being both intimidated and embraced by the environment. The empty beach, the growing wind, and the waves all contribute to a sense of mystery and awe, reflecting the complex and often harsh beauty of Tasmania’s coastal regions
Dreaming: East Coast of Tasmania
“Dreaming: East Coast of Tasmania” by Bronek Kozka: This piece reflects Kozka’s slow and meditative practice, emphasizing a deep connection with nature. The artwork captures an almost dreamlike experience of the East Coast of Tasmania, highlighting the artist’s intent to commune and bond with the coastal environment. Kozka’s approach involves being still and responsive, allowing the natural beauty and essence of the landscape to infuse the image with a sense of tranquility and profound connection to the natural world
East Coast Tasmania No.5.1 Reflection: A Study in Panels
“East Coast Tasmania No.3.1 Reflection: A Study in Panels” by Bronek Kozka: This work employs a multi-panel approach to create a comprehensive, immersive experience of the depicted landscape. Each panel contributes to the overall narrative, enhancing the sense of depth and continuity. The arrangement of panels reflects Kozka’s exploration of time, movement, and memory, inviting viewers to engage with the scene from multiple perspectives simultaneously.
In previous works, Kozka has demonstrated a consistent use of digital technology to deepen his connection with natural environments, as seen in “Mediated by the Digital Lens” series. This approach allows him to capture and convey the subtle, often ephemeral qualities of landscapes that are not immediately apparent to the naked eye.
The panels in this piece might mirror or contrast each other to evoke a dialogue between different moments in time or shifts in atmospheric conditions. This technique echoes the traditional Chinese shanshui painting influence in Kozka’s work, where the flow of natural elements is depicted across a series of connected scenes
Mount Field (Lake), Tasmania
“Mount Field, Tasmania” by Bronek Kozka: This artwork invites viewers into a meditative exercise in quiet contemplation and stillness. Capturing the serene landscape of Mount Field in Tasmania, Kozka emphasizes the importance of breathing and allowing the image to unfold naturally before you. The tranquil waters and misty surroundings evoke a sense of calm and introspection, encouraging a deeper connection with the natural world. This piece reflects Kozka’s ongoing exploration of digital mediation to enhance our understanding and appreciation of nature
East Coast Tasmania
“East Coast Tasmania” by Bronek Kozka: This image marks a significant technical evolution in Kozka’s approach to creating his artworks. By capturing the movement of sand and sea, Kozka has achieved a new level of dynamism and physicality in his work. This shift not only allowed him to better convey the sense of movement within the landscape but also enabled him to engage more intentionally with the physical space and connect more deeply with the land. This piece reflects Kozka’s ongoing commitment to exploring and pushing the boundaries of his artistic practice, blending traditional techniques with contemporary digital innovations to create immersive, contemplative experiences for viewers